JODIE FLETCHER’S work distills abstract themes from the natural and man-made worlds. She works with strips of canvas painted with acrylic, which are stretched and woven over hand-crafted maple frames. The series explores the balance between organized structure and flexible gestures.

NATALE ADGNOT’s works are defined by repetitive mark-making. Each piece begins with arbitrary marks which are codified into a visual law, then broken apart and reconstructed as a three-dimensional object. The works alternate between organic shapes and geometric forms, evoking the irregular rhythm of stalactites and stalagmites.

KAL MANSUR uses solid acrylic forms combined with painted components to elicit a dialogue between atmosphere and technical composition. His sculptures are encased within translucent acrylic panels that visually change as light strikes their internal elements. The light casts internal shadows, illuminates other segments, and allows the viewer to visually travel through the spaces he composes.

EVAN ISHMAEL explores the properties of non-traditional materials in his paintings, using soot residue from a flame as a constant. Combining experimental components with traditional techniques and a minimalist aesthetic, he elevates the functionality of everyday items to create distinctive works that push the boundaries of a restrictive medium.

Drawing from traditional media and second-hand fabric, KATHRYN KNUDSEN’s work recasts and reclaims the fabric of everyday life into ambiguous fields of desire. This particular piece, Candy, is a top pick of fair director Vanessa Seis.