Natale Adgnot (American, b. 1974) is a visual artist based in Brooklyn, NY. She employs patterns and systems to investigate human vulnerability to dogma. Like solving puzzles, she translates sketches into a visual law which governs the completion of a drawing. The work is then broken apart and reconstructed as a three-dimensional object. Using a combination of ink, acrylic, and enamel, she add details to hand-shaped pieces of thermoplastic and affixes them to birch panels with brass hardware and adhesives. Hovering between drawing and sculpture, Adgnot’s work often replicates a two-dimensional sketch when viewed frontally and comes into relief when viewed from other angles.